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Articles and books referred to in the construction of Melody Generator II


References MGII.html (last update 16.10.2010)
Created in SeaMonkey
© D.J. Povel, 2010

  1. Abe J, & Okada, A. Integration of metrical and tonal organization in melody perception. Japanese Psychological Research, 46, 298-307.
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  62. Huron, D. (1996). The melodic arch in Western folksongs. Computing in Musicology, 10, 3-23.
  63. Huron, D. (2001). Tone and voice: A derivation of the rules of voice leading from perceptual principles. Music Perception, 19, 1-64.
  64. Huron, D. (2006). Sweet anticipation: Music and the psychology of expectation. New York: MIT Press.
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  66. Jansen E. L., & Povel, D. J. (2000). The role of implied harmony in the perception of brief tone sequences. C. Woods, G. Luck, R. Brochard, F. Seddon, & J. A. Sloboda (Eds.) Proceedings of the Sixth International Conference on Music Perception and Cognition. (pp. 927-934). Keele, Staffordshire, UK: Department of Psychology. CD-ROM.
  67. Jansen, E. L., & Povel, D. J. (1999). Mechanisms in the perception of accented melodic sequences. Proceedings of the 1999 Conference of the Society for Music Perception and Cognition. Evanston, Ill. p. 29.
  68. Jansen, E. L., & Povel, D. J. (2004). Perception of arpeggiated chord progressions. Musicae Scientiae, 7, 7-52.
  69. Jansen, E. L., & Povel, D. J. (2004). The processing of chords in tonal melodic sequences. Journal of New Music Research, 33, 33-48.
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