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For almost 40 years I have worked at the Department of Psychology of Radboud University and at the Nijmegen Institute for  Information and Cognition (NICI) from which I formally retired in November 2005. During those years I taught a few thousand students and was deeply involved in theoretical and applied research in a number of fields. See below.

I have been a research fellow at Indiana University, Bloomington (1978-1979), at the University of California, San Diego and Santa Cruz (1986-1987). I have taught at the Music school of Northwestern University (1999), and at the dept. of Psychology, OSU, Columbus (2002).

Currently I am mainly involved in developing models of music construction based on insights from theoretical and experimental research in music perception. More

Topics of research
The Visual Speech Apparatus is a system providing visual information and feedback about various aspects of the acoustics speech signal in the form of computer games aimed at teaching speech to hearing impaired children.
The aim of this research was to discover the factors that determine the ease or difficulty to reproduce a rhythm; or more generally, to discover how a human listener forms a mental representation of a temporal pattern. In a series of experiments, it was shown that the primary factor determining the accuracy of the reproduction was not the complexity of the series of intervals in a pattern, but the ability of the listener to detect an underlying metrical structure, consisting of equidistant beats, which enables the coding of the temporal configuration of the elements in the rhythm. In subsequent research we demonstrated that the discovery of the underlying metrical structure mainly relies on the distribution of (subjective) accents in the rhythm, and a computational model was developed that predicts the most likely metrical structure induced by a rhythmical pattern, as well as its induction strength.

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